Don Rimini

BECAUSE I FUCKING CAN

Signed,
The Merchandise.


But in all seriousness, today I am giving you guys more of that infectious genre we love so well- the hair of the dog that bit you: electro/techno. Our artist this time comes from that glorious Paris club scene, and he has a background there, as he spent his teen years DJing at raves. This is most likely responsible for the affinity I and many others have for this music: his experience working the crowd gave him a lot of knowledge of what sounds can get ppl to move. I mean, fuck, I can't listen to any of his stuff without at least bobbing my head, swaying, and drumming my fingers to the music. Basically, y'all gotta listen to this to figure out what I'm talking about. So I'm gonna give you two things in addition to his myspace: the single Hools (yeah, I just linked to another music blog...but who the fuck cares?), which is one of my absolute favorites, and this lovely video for the song Ohow?

DON RIMINI - OHOW? from Alex Nebout on Vimeo.

Good Morning America

Daft Punk vs. Adam Freeland - "Aer OBAMA" from Gold Greendot on Vimeo.

Singles - Osymyso

Okay. I just had to do this. Osymyso is a DJ from Britain. Big on bastard pop and breakbeat, he's been doing crazy-ass mash-ups and remixes since the 90's, and he's damn good at it. The reason I'm writing this review is because of the track called Intro-Inspection. This 12-minute track features samples from 101 songs. Yes, one hundred and one songs. And not only that, but also the transitions are BRILLIANT. Overlaying The Kinks' "You Really Got Me" and Guns n' Roses' "Sweet Child of Mine" is one thing, but when that breaks way into "Wipe Out" by the Surfaris, you are dealing with a whole new beast. And this one's on steroids and meth. One of my personal favorites is between The Offspring's "Pretty Fly for a White Guy" and "Barbie Girl" by Aqua, in which the lyrics end up being "...and all the girlies say- I'm a barbie girl!" So anyway...
Here is the list of all the songs put into this masterpiece
And here is Intro-Inspection by Osymyso from his website - GIVE THIS SHIT A LISTEN
over 'n' out

Daedelus

Oh yes, I'm writing this. So Daedelus. What can I say? He is truly a unique artist, even in the electronic scene. As I said, he plays using a Monome 256 (seen here) , but he pioneered combining this machine with the Max/MSP software to create music. What does this mean? This means that live shows are awesome because only he knows what the FUCK is going on, but you get to watch orange lights go by and listen to chill music. And speaking of the music, it's amazing. Daedelus combines electronic sounds, hip hop beats and lyrics, old tracks of string instruments, and random vocal tracks to create a fucking gorgeous sound. I had the pleasure of going to one of his shows, and his performance was flawless; despite a complete lack of gaps between songs, everything seemed to flow together like one giant song. Transitions were subtle, if at all apparent, and artfully executed with his own personal flare. And that flare comes in handy when people get bored of watching orange lights and want to see the person making them flash. It is not a disappointing sight, as Daedelus makes pressing a bunch of buttons to music look interesting and intense. So there you have it: unique music with a great sound, and even better live. Now check out his myspace or the songs Just Briefly and Dearly Departed.
And here's the youtube music videos for Fair Weather Friends and Just Briefly.

Bringing Back the FUNK

As our millions of readers are aware, I haven't posted for those blog in a little while. Not too long, of course... >.> Exaggeration aside (if it's possible to ignore), I cannot continue to deprive people of my extra super greatness. Therefore, I am calling upon a new era! One of great musical prosperity and happiness for all to enjoy. together. And it will all start *pause for dramatic effect* ...soon. This post is more to motivate myself by making a commitment. However, seeing as I should be (and am) studying for finals, I must hold off on the awesome that I'll be spreading. Just know that I will be writing about Daedelus, an amazingly chill electronic guy who uses a Monome 256. More about that later...all you're getting for now is this little sample. Keep up the awesome.
sample: Daedelus' Monome

Rodrigo y Gabriela

These two flamenco guitarists hail from Mexico, but now reside in Dublin after finding that their trash metal band was a little too narrow. They have a distinct and technical style with very fast and rhythmical playing. They use this not only to play their own songs, but also to play increbile covers of Metallica and Stairway (because who can't?). They have five albums currently out, two of which are live. This tells a little about how much these two tour. So here's a link of a pretty good live version of my favorite song by them, Tamacun: . I highly reccomend these two to anybody looking for a good small group to support.

On a side note, I'll be trying to post more and more over the coming couple of weeks, seeing as I discovered a great deal of new music. Anywho, stay frosty.

Octoober Mix Vol. 2

Here is the second volume of the October mix, because I clearly have nothing better to do.

If you want the track list please ask me

http://www.zshare.net/audio/503614975de0c8b2/

edit: the volume levels are apparently messed up, i'm working on it.

October Mix

Ill write about this later.

http://www.zshare.net/audio/198660660585ac2b/

Singles - Incubus

Right, so everyone probably knows about Incubus for one reason or another. I'm sure that more than a few of you people have/have heard of their album Make Yourself from 1999. But I'm not so sure how many people know about the song Battlestar Scralatchtica, even though everyone should. As the name makes perfectly clear, the song involves a lot of scratching. What isn't clear from the name is the inclusion of a sort of trip hop or house feel with dub and great bass. To tell you the truth, I don't really want to keep writing about this song because I decided to post this in an hour I had in between class (or if you prefer, because I'm a self-centered arrogant bitch)...but listen to the song anyway!

The Climax Blues Band

Well...it's certainly been a while. And I am not making my long-awaited, victorious comeback with the band that I thought I was. Instead, I'm going back to my roots of blues rock and awesome. Therefore, I am giving you music by the Climax Blues band (also called the Climax Chicago Blues Band despite being from Stafford, England) formed in 1968. These guys had epic harmonies, and I mean EPIC. This group of amazing musicians formed a crazy lineup when it came to playing together and singing together. I am constantly and consistently impressed with songs they write, as they put all the instruments and voices to use with grace and style. If you can ever call blues graceful. As I am a bit rusty from such a long absence and could therefore never do this band justice, I'll just have you listen to Standing By A River and Mole On the Dole.
Also, here's their official website.

Villains

You may find yourself asking me, “how can you make another post about Los
Angeles music makers? “ while you read on in contempt for my geographic
diversity in terms of music taste. Well, prepare to groan an annoyance because
the answer is, I happen to like the music I find in LA, so I’m right you’re
wrong, I’m big, you’re little, I’m smart you’re dumb, and there’s nothing you
can do about it (by the way, if you didn’t live Danny Devito in that movie, you
probably deserve to be ostracized to the steppes of northern Russia). These
remixing, DJ, stars also played at the aforementioned Electric Daisy Carnival
Event. Unfortunately for me, due to unforeseen circumstances, I missed them.
Villains remixes are some of my favorite, and I haven’t met a person yet who
doesn’t like their very danceable remix of Buzzin by Shwayze. An old favorite I
had for a while was their mix of Steve Akoi’s Cut Me Up. Those two songs found
their way onto many a playlist in the june/july area. They’re fun, and easy to
listen to, so give them a shot, VILLAINS.

The Glitch Mob

Today’s post focuses on a group of DJs from the magical place of wonder andamazement that is Los Angeles. From a first listen the heavy beats sound like theycould be backing an MC as he spits aggressive, hard lyrics with passion at aroaring crowd, however; as you let the music play on, it takes on a life of its own. I discovered The Glitch Mob through my adventures in (and around [ok, a lot around]) the Coliseum for Insomniac Event’s Electric Daisy Carnival. I, never expecting a lack of crowd control that resulted a swarming, pulsing mob of drugged kandi kids, drunk gang bangers, and stoned jungalists, showed up with what I thought was plenty of time to get in and relax. I was dead wrong. As I stood in the giant snake that engulfed the venue, I wondered to myself, “Is this god’s punishment to me for such decadence as a 12 hour massive with 5 stages of kick ass music?”. The answer came back with full force from the circuitGROUNDS stage, located just over a, sadly, impermeable fence. A resounding NO, was heard from the booming speakers as edit, Boreta, Ooah, and Kraddy began their set. The line opened up as the heavy Electronic infused Hip-Hop stylings and the wait became bearable. As the music continued, I heard a remix of Ludacris’ Get Back that had me looking for another listen for a full month (seriously, I can’t find it anywhere, and its pissing me off). Whether you’re a Hip-Hop head who is too afraid to venture into the world of EDM, a Junglism purist decked out in camo, or a Electronica obsessed PLURRite, there is bound to be something you’ll like in this HIGHLY danceable music. One of my favorite tracks of theirs is a remix of Nalepa’s Monday. I will admit to looking quite ridiculous in a drunken dancefest fully at the whim of this songs bass. Its free on their site, which I suggest you check out, as it is full of other things as well. They just played yesterday at the OC's JuJuBeats, but my guess is, you probably missed it.

This is Ivy League

This is Ivy League is an Indie band formed in 2005 in Brookyln. The band was started by Ryan Blackinton and Alex Suarez. Now, if those names don’t sound familiar to you let me refresh your memory. The year is 2006, it’s a hot summer (you may or may not be learning a foreign language lakeside in a place called Dent). The internet has released news of a movie featuring Samuel L. Jackson entitled “Snakes on a plane”(that’s right, mother fucking snakes, on a mother fucking plane). How could one possibly advertise such a movie? With a song like Bring it (Snakes on a Plane) –times are strange, we got a free upgrade for snakes on a plane. But this is not about Cobra Starship. The duo of Blackinton and Suarez were sent up to the international music scene with that hit, and This is Ivy League was not forgotten. In 2008, Twentyseven Records released This is Ivy League’s CD. They have a light pop/folk element similar to that of bands such as Of Montreal, or Harlem Shakes, but vary in their own way. They also have a feel good vibe that can’t let you down. Experience it for yourself with London Bridges, but also check out the rest of their music. As always, let the music speak for itself. Who really reads any of this anyway?

Fakers -Stanton Warriors

I'm about to blow your mind. 3, 2, 1, GO! My last post was about the Jose Gonzalez cover of the Massive Attack song Teardrop, but this time, things are flipped. The bristol based breakbeat duo formally known as Stanton Warriors created a chill remix of Gonzalez's Crosses. The song includes a nice non-imposing beat that hold up the rhythm while a light mix of synth is lain over Gonzalez's guitar playing and an occasional ephemeral piano loop. Gonzalez's voice haunts the song, giving it emotional power and beauty. This track is great for chill music, and who knows, maybe you can slip it on for a little dancing as well.

http://www.stantonwarriors.com/

http://www.jose-gonzalez.com/

Justin Taylor

Well, following suit, I've decided to post this guy. He's a singer/songwriter/guitar player from South Africa who's story is very inspiring and stuff like that. No seriously, check it out: here. So anyways, this guy sings and plays from the heart. All of his stuff is one guitar and one vioce, and it's beautiful. He seems to actually speak to you, but his songs and lyrics don't get old. Of course, I'm a sap, so don't take it from me. His first album From Tiene Street was picked up by none other than Candyrat, who, if you remember, I've posted about in the past (see Andy Mckee). Justin has an amzing talent for writing songs that everyone can feel and understand. I suggest you check him out here and here.

Fakers - Jose Gonzalez

Alright, I realize that this is nothing new, but the blog hasn't been updated in quite a while, so I'm going to try to breathe some life into this thing. Jose Gonzalez does an amazing job covering Teardrop from English Trip-Hoppers Massive Attack , off of the 1998 release Mezzanine. Gonzalez brings his own element to the relaxing-yet-haunting song, taking it back closer to earth from the far-off ethereal classic Massive Attack created. So check it out.

The Subways

So yes, they were on the O.C. a number of years ago, and yes they are at least somewhat mainstream, but I don't regard the second tag as necessarily bad and the band is good enough that I can avoid the first one. Plus, they have a new album hitting shelves in June, and I thought I'd get people excited for it.
The Subways originate from England, near London, and sound much like the Fratellis, not because both bands have lead singers with UK accents, but because both are loud, fast, fun, and easily danceable. If you like anything resembling Punk, Grunge, or Garage bands, then this music is for you. The difference between this band and other post-punk/grunge bands is, they actually have musical talent. The singer is fantastic, the guitarist uses more than his bottom two strings, and the bassist plays more than one instrument (I like that, you may not care so much). Songs like "She Sun" and "Somewhere," although not released as singles and not as popular as the others, prove how much depth this band has. In the end, though, this band still comes down to power chords and fast drumbeats. Simple recommendation: If you liked the Fratellis, even a little, buy a CD; if you didn't, don't. Its really that simple.

The Mountain Goats

The Mountain Goats is the best ever urban folk band in Claremont, California. I would like nothing more than to be lying in the sun on The Grass right now listening to any song off of the 2002 release All Hail West Texas right now. Unfortunately, its dark and cold (California cold at least), and I have a strong feeling that the bed of green is all kinds of wet. So, make believe with me if you care while you read. Last year it seemed as though the wacked out stereo on the Civic would only play The Mountain Goats and because of this I got very sick of the music, and left it alone for a while. I am happy now to have rediscovered the greatness of John Darnielle's simply emotional voice coming through with a strong lo-fi sound. The Mountain Goats later work takes on a different feel. From Tallahassee onwards Darnielle began to work in a studio with a band. While adopting a new sound, the music is in no way inferior. Songs like Broom People are easy proof that even when the circumstances have changed, at the heart of the music, the same artist is still creating. One of my favorite songs by them is Color In Your Cheeks. Not that I think you should probably check it out or something.

Fakers - Scissor Sisters

In the same vein as the most Fakers post, today's will be another cover of Pink Floyd. This time the song is Comfortably Numb (link is to the original). Anyone who's listened to the original would describe it as slow, psychedelic, mellow, and awesome. Scissor Sisters manage to deliver on the last one, but fall short in the other categories. The song starts off with a trademark Pink Floyd sounds, but quickly takes on a hip hop beat, electronic sounds, and crazy dude's falsetto. The chorus' melody and feel are all but lost as they take on a whole new feel, and almost a new meaning. Bubbly, light beeps fill any empty space Pink Floyd originally left, but work unbelievably well. To make things simple, the first time I heard this version, I didn't realize it was the same song. However, if I didn't recommend it, I wouldn't be writing about it. For an entirely different but definitely enjoyable experience, listen to the Scissor Sisters' version of Pink Floyd's Comfortably Numb.

Video Kid

At this point in time, you've been living under a rock if you've never heard of Flight of the Conchords. Less famous, however, is the other work of FotC's Bret McKenzie as Video Kid (and a member of The Black Seeds, but that's a different story). Even though I feel a comparison of Video Kid to FotC is technically impossible, I feel it is a good place to start. It would be misleading to assume that the music is of a similar style simply because Bret is involved in creating music for both. Video Kid's music is more electronic, with strong reggae and funk influences and just a tad of hip-hop. At the same time, it is a mellow, indie sound. And the ultimate deciding factor- unlike FotC, it is not folk and comedy oriented. At the very least, Video Kid showcases Bret McKenzie's talent and versatility as a songwriter/musician. Hittin' up the V-section of my iTunes for the second time today, I give you DJz Girlfriend, Let Her Go, and CCTV.